Karine and I went dress shopping in St. Catharines in July 2009 while we were in Niagara Falls for the annual Sheldrake family reunion. We found a couple of styles we liked, and decided to go from there.
In the Fall of 2009, we bought the
pattern and then went to buy the fabric and a shop Nancy had recommended. Karine found a lace that she liked, and the silk to go underneath it there. I bought the rest of the materials and notions at Fabricland.

I first spent some time making a muslin mock-up of the dress, which we fitted in the fall and then again in February 2010. Once the muslin was fitting right, I used it to make three sets of pattern pieces: one for the lace, one for the silk underlay, and one for the lining.
Then came the moment of truth: I had to cut the lace. I'd be lying if I said this was stress-free; in fact, I laid it all out one day on the floor of our living room, but just couldn't bring myself to cut it. Part of the reason I was so reluctant was that it cost $100 per metre, and we had four metres, so any mistakes would be very, very costly. Another part of the reason was that I wasn't 100% sure exactly how I was going to sew this beautiful lace, and the manner it gets sewn in makes a difference in how it gets cut. So I put the lace away, and put the pattern away, and started doing some research.
My main reference was a book called Couture Sewing Techniques by Claire Schaeffer, which had excellent information about how to sew high-quality garments of all kinds. The bits it had on lace were extremely helpful, but it became clear that I was going to need to sew this lace together by hand. There were a couple of reasons for this: 1) the lace had quite a bit of open space, so any machine-sewn seams would really stand out, and 2) the lace is heavily beaded, which makes machine sewing difficult unless you remove all of the beads at the seamlines and then re-bead the seams after they've been sewn. It just made more sense to sew the whole thing by hand. This was I could achieve a seamless look on the lace, and the dress would be as beautiful as Karine and I hoped.
Once I figured out how to sew the lace together, I laid the lace out, pinned the pattern pieces on, took several very deep breaths... and didn't cut! Not yet! I had learned from the sewing book that I needed to baste around the pattern pieces in a contrasting colour to delineate the edges of the pattern pieces, and then cut around the basting lines as widely as possible to allow for lots of overlap in the pieces. After I had basted the pattern onto the lace, THEN I cut. (I had already cut the scalloped edge of the lace off to use around the hem and neckline of the dress.) I wish I'd taken a picture at this point, but the image of the lace lying in a single layer on our living room floor with the pattern pieces on top will stay with me for a long, long time.